SENIOR COMPOSITOR | Keying, Set extension, CG integration, 2D / Planar tracking, photo and label replacements, paint
This project was interesting in the fact that the interior NYC and LA home sets, as well as the airport finale to the film, were all filmed entirely on bluescreen sets rather than on location, and so the majority of the film required an enormous amount of keying and complex set extension using a mix of both CG and live action DMP to help the settings feel alive. It was a tremendous amount of work but we had a great team and I think we were all super happy with where it landed.
